(Maintaining a single fixed time offset, that's a function of when I pressed the G4 key in relationship to the C5-C3 alternations.) Without overthinking, I would guess that I would hear the alternations between G5 & G3 approximately in sync with the alternating C5 & C3 pitches. I figure the following factors govern the results: If I keep the C4 key held, and then press & hold the G4 key approximately in sync with a pitch change from the C4 key, what will happen? If I press and hold the C4 key, I believe I will hear the C5 and C3 pitches, alternating every second. (For a fully sustaining sound, zero attack, and no other modulation.) Let's say I've got shape at square, and rate set so that the pitch changes every second, and amount so that the pitch change is one octave. I can control rate, shape and amount for LFO1. Imagine a scenario where LFO 1 is the only LFO engaged, it's free running, and it's modulating pitch (for the sake of easy forum discussion). My first question is understanding the implication of "LFO per voice". I want a better understanding of how LFO is implemented in the Prophet '08.
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